![]() She displays this fixation symbolically through the compulsive consumption of milk from a Shirley Temple cup. On the obverse, Pecola yearns for an idealized beauty that she feels will grant her the love she lacks. Claudine rejects these standards, despises white children and dismembers a white doll she receives as a gift. The Role of Pop CultureĪmerican pop culture, with its homogenized standards of beauty, has a powerful impact on the novel’s black female characters. Pecola herself narrates a brief section of the final chapter through an interior dialogue. The third-person omniscient explores the back stories of principal characters like Pauline and Cholly Breedlove, Pecola's parents, and narrates sections like Chapter Five’s disquisition on black womanhood. Morrison employs a third-person omniscient perspective for those portions of the novel not narrated by Claudia. Most of Claudia’s narration comes from the viewpoint of her 9-year-old self, while an older, wiser Claudia offers perspective and corrects youthful misapprehensions. The point of view of “The Bluest Eye” alternates between the first-person observations of Claudia MacTeer, who befriends the main character, Pecola Breedlove, and an omniscient third-person narrator. ![]()
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